Man Walks into a Room - Tapa dura

Found wandering in the desert outside of Las Vegas, Samson Greene, a thirty-six-year-old Columbia University English professor, is discovered to have a brain tumor, but when surgery removes the tumor, leaving him with no recollection of his life after the age of twelve, he finds himself struggling to deal with a life, and a wife, he no longer recognizes. A first novel.

A man is found wandering the desert outside Las Vegas. The cards in his wallet identify him as Samson Greene, a Columbia University English professor last seen leaving campus eight days ago. Thirty-six years old, with a wife, Anna, and a dog, Frank. But Samson doesn’t even recognize his own name, and by the time Anna has made her away across the country to pick him up, doctors have discovered a cherry-sized tumor in his brain; its removal eradicates the last twenty-four years of Samson’s memories.

Samson and Anna return to New York together, where Samson struggles to connect with the woman he knows he is supposed to love, with his career, with his home, with his “life.” He remembers his mother, his childhood in California, the basic shape and processes of the world, but everything else remains blank. In the meantime, Anna sees the same husband she has always seen, but every day has to steel herself against the notion that the man she loves is the Samson who remembers the last quarter century, the Samson who has been shaped by the history of their lives together.

Into these daily lives fraught with a peculiarly intimate tension comes a charismatic scientist who invites Samson to take part in a groundbreaking, experimental project involving the transfer of memories from one mind to another–all it requires is a trip back to the Nevada desert. It doesn’t take much to lure Samson away from his profound loneliness in the City–where he is stuck between missing the past life that surrounds him and yearning to enjoy the fresh start he’s been given–though Anna is never far from his thoughts as he embarks on the adventure that could mean the end of the old Samson Greene.

In Samson, Nicole Krauss creates an ordinary man who his facing a searingly new world with gritty poignancy and purely instinctual empathy. Reminiscent of early DeLillo, but with the emotional sensitivity of a budding Cheever, Krauss’s sharp, intelligent storytelling effortlessly peels away the layers of quotidian circumstances to reveal the subtle joys and woes of simple survival.