Beyond Recognition: Representation, Power, and Culture - Tapa dura

"Owens is now widely perceived as one of the dominant critical and theoretical voices of the 1980s, and certainly this volume of essays will do much to cement that reputation."--"Art in America

The writing of Craig Owens explored the relations among contemporary art, sexuality, race and power. During the fifteen years (1975-1990) that he lived in New York and wrote criticism for "Art in America", "October" and other publications, Owens covered a wide range of cultural practices: dance, architecture, art, literature, film, performance and theatre. Owens was trained as an art historian, but he is better described as a cultural critic and theorist, whose writings called into question established boundaries between disciplines, especially the separation of theory from practice. A major voice in postmodern culture and politics, Owens is equally well known and regarded for his contribution to debates around poststructuralism, sexual difference and gay politics.