Iwo Jima: Monuments, Memories and the American Hero - Tapa dura

There is a certain resonance in "Iwo Jima." -- Richard Severo "New York Times" This gripping book has much to say about war symbolism in popular culture, overwrought patriotism and military valor. This is popular culture at its best, thoroughly enjoyable to read right down to the discussion of the statue's use in political cartoons and the final chapter on the 40th reconciliation reunion with the Japanese. There is a certain resonance in Iwo Jima . There is a certain resonance in "Iwo Jima," -- Richard Severo "New York Times" There is a certain resonance in "Iwo Jima". -- Richard Severo "New York Times" There is a certain resonance in "Iwo Jima".--Richard Severo "New York Times " It is one of the virtues of this riveting book, co-written by a university professor and a museum curator, that it embraces rather than evades the multiple ironies, paradoxes and contradictions that cluster around a single snapshot of five Marines and a Navy corpsman raising a flag on a newly captured Japanese island near the ragged end of World War II. For, not surprisingly, the story of the flag-raising on Iwo Jima turns out to be the quintessentially American tale, underlining the virtues we prize and those we ignore, the competing lures of reality and illusion, and what happens when ghastly war and genuine heroism come face to face with a ravenous publicity machine and a country's need for simple answers to painfully complex questions of national purpose and personal sacrifice. It is not a pretty picture...[Marling and Wetenhall have] told this cautionary tale with remarkable even-handedness and intelligence. The story they tell is not only fascinating, it points to a chilling mora Karal Ann Marling and John Wetenhall, two specialists on the social history of American art and architecture, examine the extraordinary career of the Rosenthal photograph and the de Weldon monument. They chose well, for as "Iwo Jima" amply documents, few symbols better illustrate the ambivalent and ever-changing American ideas about war heroism, patriotism and sacrifices...Intriguing.--Ronald Spector "New York Times Book Review "

In the split second that it took Associated Press photographer Joe Rosenthal to snap the shutter of his Speed Graphic, a powerful and enduring American symbol was born. "Iwo Jima: Monuments, Memories and the American Hero" tells the story of that icon as it appeared over the next 40 years in bond drive posters, stamps, Hollywood movies, political cartoons, and sculpture, most notably the colossal Marine Corps War Memorial outside Washington, D.C. The book is also a study of the soldiers who fought one of the bloodiest battles and of the impact of Iwo Jima on the rest of their lives. When the famous photograph first appeared in newspapers in 1945, it was little more than a grainy outline of massed men and their wafting flag, but for millions it captured the essence of American grit and determination. The Marines pictured were in fact in no immediate danger - they were replacing a small flag planted earlier atop Mt. Suribachi with a larger, more visible one - but to an enthusiastic public they were heroes risking their lives for Old Glory. The Battle of Iwo Jima raged for many days beyond the capture of this one position, and ultimately claimed the lives of almost 7000 American servicemen, yet already the tableau symbolized victory. Marling and Wetenhall illuminate the ironies and misconceptions that proliferated around the Iwo Jima flag-raisings. Pride and nostalgia exalted the glorious epiphany of Rosenthal's image and suppressed the grisly and at times mundane reality of war. The ordinary men whose action has been immortalized became uneasy celebrities, while the planters of the first flag were doomed to oblivion. The authors have constructed a story from the reminiscences of survivors, rare archival sources, and dozens of documentary photographs They give the first comprehensive account of the building of the Marine Corps War Memorial, dedicated in 1954. And in a final chapter they follow a group of American veterans who returned to the island in 1985 and met Japanese survivors. Dedicated to the men who fought on Iwo Jima, this study in cultural iconography aims to transcend the icon to show the honour in remembering what really happened.