"Exquisite. . . . Anderson-Dargatz creates a strong sense of the complexity of ordinary life." --
The Globe and Mail
"
Turtle Valley lives up to [Anderson-Dargatz's] gothic reputation, with ghosts dashing out from behind the farmhouses, mysterious flocks of ladybugs clinging to the ceilings, stoves leaping to life at strange hours and horrible secrets hiding in the family well. . . . It's a tense, passionate story of family and memory, haunting and history." --
Vancouver Courier
"Ghosts weave in and out of the smoke, decades-old passions are re-examined, life-changing options present themselves, life and loss continue, unabated. It's both haunting and haunted (as it's both a romance-mystery and a ghost story) and it carries powerful magic all its own." --
The Hamilton Spectator
"Gail Anderson-Dargatz's latest is part mystery, part memory story, part eco-conscious tale, but a rare take on illness in the context of a marriage is what makes
Turtle Valley a winner. . . . Along with the passion, there's suspense, too. The raging fires just keep getting closer. This is a haunting novel with emotionally haunted characters. Gripping." --
NOW (Toronto)
"In
Turtle Valley, her fourth novel, Gail Anderson-Dargatz captures place with her trademark exquisite sensory detail. . . . Anderson-Dargatz creates a strong sense of the complexity of ordinary life. Her use of the concrete gives rise to the power of feeling through the stark juxtaposition of thing and idea. . . . the author is skilled at peeling back the layers of love, commitment and confusion that most families experience." --
The Globe and Mail
"Undeniably gripping." --
The Calgary Herald
"Kat's point of view is established with such force and intensity that we feel her conflicts, ambivalences, doubts, and share her experiences as viscerally as if they were our own; Anderson-Dargatz places readers so masterfully inside her consciousness. Kat is a force to be reckoned with: passionate, fierce, and sharply self-aware, with few illusions about herself and others. She and every character and relationship are depicted with piercing frankness, and yet tenderness. There are no one-note emotions or motivations here--every feeling, impulse, is in flux, tangled and bleeding in each other, love the most complicated emotion of all."
--Ottawa Citizen "After the shining success of her first three novels, Gail Anderson-Dargatz has inspired book critics to make extravagant comparisons to such luminaries as Carol Shields, Margaret Laurence, and even Gabriel Garcia Marquez. . . . There is no doubt that Anderson-Dargatz has inherited the storytelling mantle from these writers, particularly in their tendency to gaze into the shadows of the past. And as with most celebrated fiction in this country, a sense of place is as important as the characters. . . . There is a homespun, nineteenth-century quality to Anderson-Dargatz's work." --
Edmonton Journal "
Turtle Valley has all the hallmarks of the author's previous bestsellers, like
The Cure for Death and
A Recipe for Bees (1996 and 1998, both nominated for the Giller Prize). It zooms into the heart of rural life, with its family ties and rivalries, while ripping open the doors of family closets and letting the insecurities, eccentricities and dark secrets pour out. . . . Written in Anderson-Dargatz's vivid journalistic style, with interesting and memorable flawed characters who could be found in any rural Canadian backyard,
Turtle Valley is another suspenseful page-turner. It's even more compelling as a sequel to
The Cure for Death, serving up dollops of charm while revisiting the anguish Beth felt when growing up abused and tormented in
Turtle Valley." --
The Vancouver Sun
"In this apocalyptic tale, the author of
The Cure for Death by Lightning returns to form with her gift for decoding ephemera--recipes, gadgets, clippings--to expose their numinous secrets. . . . Passion, jealousy and death haunt the valley as the devouring fire advances toward the farm. Anderson-Dargatz takes many of her own treasured heirlooms--the text is illustrated with photographs by Mitch Krupp--and folds them into this mix of fact and fiction as smoothly as previous generations of farm women have whipped up pans of penuche, the brown sugar fudge that sweetens their difficult lives." --
Toronto Star
"Anderson-Dargatz's descriptions of the landscape and the minutiae of farm life are ones that any city dweller will find engaging. And the desperate confusion Kat spirals into while trying to care for her mentally damaged husband and being confronted by a former lover, is something many women will empathize with. Anderson-Dargatz's clean, simple prose doesn't call attention to itself, and the photographs of inanimate objects that begin each chapter are enigmatic enough to have you flipping back through the pages trying to understand what they mean. . . . the story unwinds at an even keel without any loud or ostentatious moments . . . [
Turtle Valley is] a beautifully written and satisfying tale." --
Winnipeg Free Press PRAISE FOR GAIL ANDERSON-DARGATZ
"Anderson-Dargatz has something that no amount of craft can give a writer: She is hopelessly in love with and attentive to her subject, the physical world and all its gifts." --
The Globe and Mail "Those who go hunting for 'the next Margaret Laurence' or 'the next Alice Munro' might find themselves perusing Gail Anderson-Dargatz. . . . If Margaret Laurence were alive today, she' d be looking over her shoulder-not with worry, but anticipation. Anderson-Dargatz is the real thing." --
Calgary Herald "Anderson-Dargatz's characters are vulnerable yet valiant as they thrust at the encroaching darkness. A rich blend of magic realism and brooding poetry, her writing is by turns warm and chilling, tempered to the mysteries of nurturing and nature. Her command of imagery and dialogue is nothing less than remarkable." --
Georgia Straight