The Gallery of Vanished Husbands - Tapa dura

Solomons creates in Juliet a detailed character portrait of a woman who exhibits strength and poise under less than ideal conditions. Each chapter tells the story of one of Juliet's paintings and of important events in her life, and readers will respond to the realistic and beautifully flawed characteristics assigned to her. * Library Journal * The loose and liberated art world of the 1960s in the setting for The Gallery of Vanished Husbands, a charming tale by Natasha Solomons. After having her portrait painted, a newly abandoned wife breaks free from her uptight upbringing to find a new love and life. * Good Housekeeping * A luminous book - passionate, rich and touching. * Sainsburys Magazine * This brilliant novel is infused with empathy and humour. I adored it. -- Sue Leonard * Irish Examiner * Natasha Solomons typically binds her themes with her gift as a storyteller. Many times I had to stop and gasp for air at some incredible revelation. But mostly this is a portrait of a woman. Solomons doesn't tell us Juliet is beautiful, but you know she is from the way her head and heart behave and the way the men in her orbit adore her. -- Diane Dempsey * Sydney Morning Herald * The Gallery of Vanished Husbands is a colourful and captivating tale of a woman shedding her skin. * Stylist * This charming, mesmerising story is ultimately about the triumph of the human spirit, not the caging of it . . . Solomons has created a warm, luscious read that brims with passion and skilfully evokes a bygone era when only married women could be prescribed the Pill, when the sexual revolution was just beginning and when children were cheerfully given cherry brandy as a "sleeping draught". It is a beautifully written tale about a woman who was left socially dead but rose again by seizing life. * The Times * Captivates you with its charm, quirkiness and old-fashioned storytelling * Daily Mail *

When Juliet Montague's husband disappears, so does she. As far as the conservative Jewish community in which she lives is concerned, she is invisible. She does her best to conform to their rules, but then on her thirtieth birthday she does something unexpected. Instead of the fridge she has scrimped for, she impulsively spends her savings on a portrait of herself. It is the first in a series of portraits that punctuate Juliet's adult life as she joins London's lively post-war art scene and proves to be an astute spotter of talent. Yet she remains an outsider in both her worlds: a mother of two, drawn to a reclusive artist who never leaves Dorset, and unable to feel free until she has found her husband - a quest that leads her to California and a surprising discovery. Absorbing, intriguing and richly evocative, this is the tale of one woman's life and an unusual emotional journey, each stage hinged on a painting. It is a bravura performance by a highly talented young author.