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Publicado por Addison-Wesley Longman Ltd, 1978
ISBN 10: 0582205468ISBN 13: 9780582205468
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Merrell Pub Ltd, 1996
ISBN 10: 1858940249ISBN 13: 9781858940243
Librería: More Than Words, Waltham, MA, Estados Unidos de America
Libro
Condición: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.
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Nuevo desde EUR 50,79
Usado desde EUR 4,35
Encuentre también Tapa blanda Original o primera edición
Publicado por Methuen, 1970
ISBN 10: 041613730XISBN 13: 9780416137309
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 2,64
Encuentre también Tapa blanda
Publicado por Addison-Wesley Longman Ltd, 1971
ISBN 10: 0582204623ISBN 13: 9780582204621
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Publicado por Hodder, 1979
ISBN 10: 0713119772ISBN 13: 9780713119770
Librería: Shore Books, London, Reino Unido
Libro
Soft cover. Condición: Very Good. 64 pages. Illustrated. (BT#14).
Publicado por Methuen, 1970
ISBN 10: 0416137202ISBN 13: 9780416137200
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Libro
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publicado por Tate Gallery Pubn, 1991
ISBN 10: 1854370480ISBN 13: 9781854370488
Librería: Librairie Parrêsia, Figeac, Francia
Libro
Paperback. Condición: Used: Very Good. The Paintings of William Coldstream 1908-1987 | Lawrence Gowing - David Sylvester | Tate Gallery, 1990, in-4 broché, 126 pp. Couverture propre, coins légèrement élimés. Dos solide, petits frottements en tête et en pied. Intérieur frais. [T20].
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Nuevo desde EUR 80,73
Usado desde EUR 14,00
Encuentre también Tapa blanda Original o primera edición
Publicado por Matthew Marks Gallery, 1996
ISBN 10: 1880146150ISBN 13: 9781880146156
Librería: Matthew Marks Gallery, New York, NY, Estados Unidos de America
Libro
Hardcover. Condición: New. This catalogue raisonné of de Kooning's 33 sculptures, published to accompany the first exhibition of the artist's monumental outdoor sculptures, includes specially commissioned photographs by Adam Bartos of the three sculptures installed outside the artist's studio in East Hampton, N.Y., as well as a wealth of previously unpublished photographs from the artist's archives. Hardcover with dust jacket, 76 pages, 69 images, 11 7/8 x 9 5/8 inches, 30 x 24.5 cm. New copy in its original shrink wrap.
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Nuevo desde EUR 18,99
Usado desde EUR 24,69
Encuentre también Tapa dura
Paperback. Condición: Very Good. Card cover slightly rubbed w/ slight marking on rear, chipped in top left corner of front panel; Pages lightly age-toned, generally clean, indexed B&W plates, several colour plates throughout; Binding tight. This catalogue was published alongside the March/April 1967 exhibition of the artist's work at the Tate Gallery. ; 7.25 x 9.75"; 64 pages.
Publicado por New York, Matthew Marks Gallery, 1996., 1996
Librería: Grant's Bookshop, Cheltenham, VIC, Australia
Original o primera edición
4to.76pp. Original boards in dustwrapper. Numerous colour and black and white illustrations; a near fine copy. . First edition.
Publicado por Cambridge University Press, London, 1974
ISBN 10: 0521203104ISBN 13: 9780521203104
Librería: Sarah Zaluckyj, KINGTON, Reino Unido
Libro Original o primera edición
Hardcover. Condición: Good ++. Estado de la sobrecubierta: No Dustjacket. First Edition. 240 pages. No dustjacket. Ex-college library with marks and stamps to flyleaf, half-title page and large stamps to title-page and rear, also the occasional small stamp to pages. Clean light brown hardback binding has a light reading crease to spine with small creases to spine-ends and boards' corners. Page-edges lightly foxed, page-margins have the occasional pencil mark, otherwise pages clean and sound.
Publicado por Cambridge University Press, 2011
ISBN 10: 0521133734ISBN 13: 9780521133739
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. 0.75.
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Nuevo desde EUR 38,36
Usado desde EUR 37,68
Encuentre también Tapa blanda
Publicado por Tate Gallery, University College London, London, 1991
Librería: Knights Rare Books (Est. 1994), Glastonbury, SOMER, Reino Unido
Libro Original o primera edición Ejemplar firmado
Soft cover. Condición: Very Good. 1st Edition. These both belonged to the artist and art historian, Sir Lawrence Gowing, who was co-author of "The Paintings of William Coldstream" and wrote a memoir in the "Memorial Meeting". He has initialed the front cover and title page of "The Paintings", written an inscription to the inside front cover and tipped in a 4 page biographical note that he wrote with Adrian Stokes and was distributed at the exhibition. Both books are tidy. Signed by Author(s).
Publicado por The Sainsbury Centre for Visual Arts, Norwich, Norfolk, 1996
ISBN 10: 0946009252ISBN 13: 9780946009251
Librería: Joy Norfolk, Deez Books, IPSWICH, Reino Unido
Libro
Soft cover. Condición: Very Good. Estado de la sobrecubierta: No Jacket (as published). 49pp. An illustrated art exhibition catalogue. Limited edition (1000). In clean and sound condition. All orders processed promptly and dispatched from the UK. For delivery to non-UK destinations this book must be ordered by the fast / air shipping service please. Please email with your queries. 8.5"x12".
Publicado por London; Tate;, 1990
ISBN 10: 1854370480ISBN 13: 9781854370488
Librería: timkcbooks (Member of Booksellers Association), Penzance, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
First edition, first printing. Near fine large format exhibition catalogue with reading creases to the spine.
Publicado por New Haven: Yale University Press (1969)., 1969
Librería: Thomas Dorn, ABAA, Canton, GA, Estados Unidos de America
Libro
Hardcover. Condición: Very Good. Dust Jacket Included. 8vo. xxi, 260 pp. Original navy blue cloth binding. From the library of noted renaissance and English literature scholar, Jonathan Goldberg, whose signature is on the front free endpaper and whose underlining/marginalia are on the last chapter, pages 197-254; the other pages are clear of markings. Else very good in DJ.
Publicado por Matthew Marks Gallery, New York, 1996
Librería: Modern Industrial Books, Poetry and Art, San Francisco, CA, Estados Unidos de America
Condición: As New. Photographs by Adam Bartos. An illustrated checklist of the complete sculpture. Gallery reception card. 76 pages.
Publicado por Kingsland Prospect Press, 1964
Librería: Aeon Bookstore, New York, NY, Estados Unidos de America
Revista / Publicación Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.
Publicado por Kingsland Prospect Press Ltd., London, 1964
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).
Publicado por The New York Times & Arno Press, New York, 1963
Librería: RareNonFiction, IOBA, Ladysmith, BC, Canada
Miembro de asociación: IOBA
Libro Original o primera edición
Single Issue Magazine. Condición: Good. Falk, Sam; Tenney, Gordon; Glass, Douglas; Dantzic, Jerry; Glueckselig, Leo; Owen, Bernard; Doty, Roy; Liebman, Oscar; Little, Tom Ilustrador. First Edition. 120 pages. Features: 10 Downing St. Cover Photo; What Bearing does Trade Have on the Cold War and the Chance of Peace?; Britain's Politics - and Britain's Future - photos and brief article; Passport Barrier - The State Department insists on deciding which countries Americans may Visit; The Draft - Many Threatened, Few Chosen; Article and photos of an 'uneventful day at the Berlin Wall; Senator George B. Russell of Georgia - symbol of civil-rights opposition; How JFK gets the answers; Photos of U Thant at the U.N. - 10am to 8pm; Photo-illustrated article on British Painter Francis Bacon; The A-B-C of Director Alan Schneider; Several Lovely fashion ads; Nice Indian Head's new fabrics ad; Photos of 'Folk Song Frenzy'; Nice color ad for Knorr soups; Photos from Spanish Harlem; Lovely fashion photos feature 'The New Decolletage'; Super one-page color Froot Loops breakfast cereal; Photos of the home of architect-designer Alexander H. Girard. Average wear. Crossword completed. Nibbling along spine. Openings along coverfold. Back cover in rough shape. A worthy vintage copy.
Publicado por N.p., N.p., 1982
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage reference photograph from the 1982 film, showing actor Sylvester Stallone from behind. Cropping annotations to the verso. Based on the 1972 novel by David Morrell, about a troubled Vietnam veteran with PTSD who must fight for his life due to a series of misunderstandings with local law enforcement in a rural Washington town. The first, and most well-received, installment in the Rambo franchise, followed by four sequels, an animated television series, and countless comic books, novelizations, and video games. Set in Hope, Washington, and shot on location in Washington and British Columbia. 10 x 8 inches. Near Fine.
Publicado por Universal Pictures, Universal City, CA, 1981
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage oversize, double weight, borderless still photograph from the 1981 film. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 13.25 x 9.25 inches. Near Fine.
Publicado por Institute of Contemporary Arts (Design Gordon House), London, 1963
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Paperback. Condición: Near Fine. 1st Edition. Book. Rare complete run of Living Arts Magazine (3 issues published 1963-4),edited by Theo Crosby and John Bodley. Black & white printed in glossy wraps. Crosby associated himself with ICA in the early 60s and in 1963, under Croby's lead, the ICA exhibited Living Cities, to foreground the urban theories of the young Archigram group. The magazine therefore becomes an intrinsic part of the new international vision set out by Crosby and others, overlapping with other landmark publications of the era/movewment such as This Is Tomorrow, and Archigram. Autumn '60 for Ochestra by Cornelius Cardew, Photographs by Robert Freeman and Letter from the Airport by Carl Nesjar feature in Volume 1. Volume 2 includes : Sculptures and Statement by Peter Startup, Urbane Image by Richard Hamilton and Living City by Peter Cook, Dennis Compton et al. Volume 3 includes THe Allegorical Situation by Bernard Cohen, David Sylvester interviewing David Smith, Communication and Symbolic Value by Gillo Dorfles, THe Atavism of the Short-Distance Minicyclist by Reyner Banham and review of Living City by Robert Maxwell. The 50 page Living City section of Volume 2 includes THE EXHIBITION - EXPERIENCE 19 JUNE - 2 AUGUST 1963 described and expanded by it's designers, with Manifesto, Introduction & ket to the numerous pages of illustrations, design and texts. Amongst the many contributions are THE KEY TO THE VITALITY OF THE CITY by Peter Cook, CITY SYNTHESIS by Dennis Crompton, Total Exhibition Structure, MOVEMENT GLOOP, and FINAL NOTES ON THE LIVING CITY. Condition - the plastic cover tends to bubble. A fault uniform in all copies (& apparent in all 9 copies of issue 2 exhibited in Tate Modern Hamilton retrospective, 2014). These copies have some of that bubble effect but are the best I have seen with only a little near spine. Each rubber stamped neatly on colophon page "Michael Farr (Design Integration) 97 Jerymn Street London " (a prestigious London design company). Slight wear to issue 1 cover. General minor handling. Copies are prone to curling of covers due to plastic overlay, but being housed in a homemade cardboard slipcase these copies are better than usual. Minor rubbing to colophon pages (from inside flap printed image). Very difficult to find a set in this kind of condition. VG++/ near fine.
Publicado por Universal Pictures, Universal City, CA, 1980
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Manuscrito
Final Draft script for the 1981 film, seen here under the working title "Hawks." Copy belonging to sound mixer Les Lazarowitz, with his name in manuscript ink on several pages, and his profuse annotations throughout. Two undercover New York police officers are hired to take down a deadly European terrorist. Actor Rutger Hauer's first American feature film. Shot on location in New York City, London, and Paris. Red titled Studio Duplicating Service wrappers. Title page present, undated, noted as Final Draft Screenplay and production No. 02133, with credit for screenwriter David Shaber. Xerographic duplication, rectos only, with pink and blue revision pages throughout, dated variously between 3/14/80 and 3/16/80. 127 leaves, with last page of text numbered 121. Pages Very Good plus, wrapper Very Good plus, with a small chip on the top right corner of the final leaf, bound with two gold brads.
Publicado por Scrap New York, NY 1960 - 1962, 1960
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Original o primera edición
7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint.