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Publicado por Los Angeles County Museum, 1899
ISBN 10: 0875871909ISBN 13: 9780875871905
Librería: SecondSale, Montgomery, IL, Estados Unidos de America
Libro
Condición: Very Good. Flick, Robbert Ilustrador. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Nuevo desde EUR 62,64
Usado desde EUR 15,69
Encuentre también Tapa dura Original o primera edición
Publicado por Gottingen : Steidl, 2004
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
First Edition. An exceptional copy in the original title-blocked, decorated cloth. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 8vo 8" - 9" tall; 304 pages; Physical desc. : 304 p. : illus. ; 30cm. Subject: Flick, Robbert - Catalogs. Photography, Artistic - Catalogs. Summary: Robert Flick's work extends the same visual, philosophical and theoretically fertile tradition set by the highly influential and iconoclastic Robert Heinecken. But while Heinecken's emphasis can be said to rely on the manner in which images function within the intersection of popular culture and the fine arts, Flick has characteristically concentrated more intently on the artifactual, conceptual and receptive properties of photography--specifically landscape photography. The distinctive retinal and conceptual strength of Flick's work has been evident since his early essay-format images of the 1960s. In his more recent digital work, he extends his participation in the critical discourse established around the interpretation, evaluation and assessment of visual constructs related to the landscape. And yet, this movement has only become possible through a conceptual transition from a position of creating unique objects to an emphasis on interactivity and multiple access using still and moving images that allow for the work's insertion into the broader socio-political arena where the application defines the discourse. 3 Kg.
Publicado por Gottingen : Steidl, 2004
Librería: MW Books Ltd., Galway, Irlanda
Original o primera edición
First Edition. An exceptional copy in the original title-blocked, decorated cloth. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. ; 8vo 8" - 9" tall; 304 pages; Physical desc. : 304 p. : illus. ; 30cm. Subject: Flick, Robbert - Catalogs. Photography, Artistic - Catalogs. Summary: Robert Flick's work extends the same visual, philosophical and theoretically fertile tradition set by the highly influential and iconoclastic Robert Heinecken. But while Heinecken's emphasis can be said to rely on the manner in which images function within the intersection of popular culture and the fine arts, Flick has characteristically concentrated more intently on the artifactual, conceptual and receptive properties of photography--specifically landscape photography. The distinctive retinal and conceptual strength of Flick's work has been evident since his early essay-format images of the 1960s. In his more recent digital work, he extends his participation in the critical discourse established around the interpretation, evaluation and assessment of visual constructs related to the landscape. And yet, this movement has only become possible through a conceptual transition from a position of creating unique objects to an emphasis on interactivity and multiple access using still and moving images that allow for the work's insertion into the broader socio-political arena where the application defines the discourse. 3 Kg.
Publicado por Aperture Foundation, Incorporated, 1989
ISBN 10: 4906265138ISBN 13: 9784906265138
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Good. Used book that is in clean, average condition without any missing pages.
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Usado desde EUR 38,00
Encuentre también Tapa blanda Original o primera edición
Publicado por Steidl/LACMA, 2004
ISBN 10: 386521018XISBN 13: 9783865210180
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Libro
Condición: Used - Like New. 2004. Cloth, quarto. 315 pp. Illustrated throughout. Fine. No Dust Jacket.
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Nuevo desde EUR 45,56
Usado desde EUR 35,60
Encuentre también Tapa dura
Publicado por Los Angeles County Museum of Art, 2004
ISBN 10: 0875871909ISBN 13: 9780875871905
Librería: Vagabond Books, A.B.A.A., PASADENA, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Fine. Flick, Robbert Ilustrador. First Edition. FINE FIRST EDITION IN BLACK CLOTH BOARDS.
Publicado por Los Angeles County Museum of Art and Steidl Verlag, Los Angeles, CA and Gottingen, Germany, 2004
ISBN 10: 0875871909ISBN 13: 9780875871905
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro Original o primera edición
Flick, Robbert Ilustrador. First edition and first printing. Hardcover. 315 pages. A retrospective monograph on American photographer Robert Flick. Features a foreword by Andrea L. Rich and essays by Michael Dear, David L. Ulin, and Tim B. Wride. Includes some color and numerous black and white images, checklist, and a chronology. A fine copy in black cloth boards. No dust jacket as issued.
Publicado por Steidl, Gottingen, 2004
Librería: Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Alemania
Libro
Ln./ cloth. Condición: Sehr gut. 315, (2) p. Sprache: Deutsch Gewicht in Gramm: 2652.
Publicado por Min Gallery, Tokyo, 1987
ISBN 10: 4906265138ISBN 13: 9784906265138
Librería: DogStar Books, Lancaster, PA, Estados Unidos de America
Miembro de asociación: IOBA
Libro Original o primera edición
Paperback. Condición: Very Good+. First Edition. Square 4to 9" - 11" tall; 1987 Min Gallery, Tokyo. Oversize square format paperback in glossy pictorial covers. 1st edition. Snugly bound and clean; no marks. Thin swath of toning spine edge of rear cover (where the book protruded from the adjacent book on the shelf). Superficial shelf rub to fotn corner. Contents clean and fresh, consisting largely of the multiples / sequences b&w photos, with an essay by Mark Johnstone. Text in English and Japanese. VG++ . Oversize book may require additional charges for expedited or international shipping.
Publicado por The Los Angeles County Museum of Art (LACMA) and Steidl Verlag, Los Angeles and Göttingen, Germany, 2004
ISBN 10: 0875871909ISBN 13: 9780875871905
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: New. Flick, Robbert Ilustrador. 1st Edition. First edition, first printing. Hardcover. Black laminated cloth-covered boards with title and graphics printed in white on cover and spine. Photographs by Robbert Flick. Essays by David L. Ulin, Tim B. Wride and Michael Dear. Foreword by Andrea L. Dear. Includes an exhibition checklist and chronology. Designed by Gerhard Steidl. 320 pp., with 61 black and white plates and 41 four-color plates (30 of which span two pages; 11 are full-bleed plates) and numerous additional color and black and white illustrations, beautifully printed on heavy matte paper. 13-3/16 x 10 inches. Published on the occasion of the 2004 exhibition Trajectories: The Photographic Work of Robbert Flick, at the Los Angeles County Museum of Art. New in publisher's shrink-wrap. From the publisher: "Robbert Flick's work extends the same visual, philosophical, and theoretically fertile arena explored by Robert Heinecken. While Heinecken emphasized the manner in which images function at the intersection of popular culture and the fine arts, Flick has concentrated on the conceptual and receptive properties of photography -- specifically landscape photography. The distinctive visual and conceptual strength of Flick's work has been evident from his very early essay-format images of the 1960s. Finding a new strength in the evocative diptychs he began in the late 1970s, his investigations led him to begin using grid-format sequential views in order to provide multiple views of images that are visually related but physically separate. The opportunities offered by digital applications allowed him to extend his participation in the critical discourse established around the interpretation, evaluation, and assessment of visual constructs related to the landscape. Trajectories traces this important artist's career from the 1970s to the present, examining his development and charting the conceptual and philosophical impact of contemporary culture on landscape, cultural geography, and technology. Constructed chronologically, the book reveals the cumulative authority of the artist's creative process and the fluidity of his conceptual dynamic.".
Publicado por Los Angeles County Museum, 2004
ISBN 10: 0875871909ISBN 13: 9780875871905
Librería: Dan Pope Books, West Hartford, CT, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: New. No Jacket. Flick, Robbert Ilustrador. 1st Edition. L.A. County Museum of Art / Steidl Verlag (2004). First edition. First printing. Hardbound. BRand new, still in original shrinkwrap. Very Fine in all respects.
Publicado por Gallery Min, Tokyo, 1986
ISBN 10: 4906265014ISBN 13: 9784906265015
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: As New. 1st Edition. First edition, first printing. Soft cover. White laminated wrappers with title printed in black and silver on cover and spine, no dust jacket as issued. Photographs by Jo Ann Callis, Judy Dater, Robert Heinecken, Mark Johnstone, Grant Mudford, Jack Welpott, Henry Wessel, Jack Butler, Eileen Cowin, John Divola, Robbert Flick, Anthony Friedkin, Robert Glenn Ketchum, Richard Misrach, Catherine Wagner, Bally Brukoff, Jerry Burchfield, Morrie Camhi, Linda Connor, Robert Dawson, Patrick Nagatani & Andrée Tracey, Kenda North and Susan Rankaitis. Essay (in Japanese and English) by Mark Johnstone. Preface (in Japanese and English) by Min J. Shirota. Includes notes and brief biographical information on the artists. Designed by Hideyuki Taguchi. Unpaginated (136 pp.), with 102 four-color and black and white plates printed in Japan by Graphic Arts Kobori. 11 x 11 inches. Published on the occasion of a three-part exhibition at the Min Gallery, Tokyo, May 10 - June 10, June 13 -- July 8 and July 11 -- August 5, 1986. Out of print. Very scarce. As New (from the publisher's archive). The first in a series of beautifully designed and printed exhibition catalogues from the Gallery Min in Tokyo.
Publicado por L.A. , La County museum, 2004
ISBN 10: 0875871909ISBN 13: 9780875871905
Librería: Antiquariat Michael Solder, Münster, NRW, Alemania
Libro Original o primera edición
Fol. . farb ill. Olwd. Condición: Gut. Flick, Robbert Ilustrador. 313 verlagsfrisches Exemplar in Ertser Ausgabe. brand new firts edition Sprache: Deutsch Gewicht in Gramm: 2500.
Publicado por Nazraeli Press, 2016
Librería: Setanta Books, Richmond, SURRE, Reino Unido
Original o primera edición Ejemplar firmado
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. This is number 261 from an edition of 350 signed numbered slipcased copies. signed by Robbert Flick to a label tipped in to the back cover. No markings, the book is in new condition, please see pics, PayPal accepted, any questions please get in touch. Signed by Author(s).
Publicado por Nazraeli Press, Paso Robles, California, 2016
ISBN 10: 1590054369ISBN 13: 9781590054369
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Limited edition of 350 copies, signed by the artist on a label tipped in to the back cover, and numbered on the colophon page. Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 64 pp., with 29 duotone plates. 15 x 12 inches. New in publisher's packaging. From the publisher: "Robbert Flick, born in Holland in 1939, is a Southern California artist who uses photography as his primary medium. This gorgeous new monograph presents an important, early body of work that would inform Flick's approach to all of his subsequent artistic activities: 'The late 1960s was an open-ended time with very few boundaries. I was interested in rendering my photographic experience of Los Angeles, and wanted to emphasize the process of that experience. Rather than framing a moment, it became important to acknowledge it. This meant that the act of photographing became a gesture. I was also quite poor and had a limited amount of film. I kept some several dozen self-rolled films in a shoebox; whenever I went out I would reach in for four or five of them, and return them back into the box when exposed, leaving a snippet of leader so the film could be reused. I would have absolutely no idea what was on which film I put in my camera. At the time I would think of film as an endless continuum, and there was a wish to acknowledge that aspect visually.the idea of multiple exposures was linked to ideas about simultaneity, the use of the "I Ching" and "there is no such thing as accident." I photographed in this manner for a period of three years.' One of the images on the cover of the book captures a moment from an Ortiz destruction event: where a piano filled with blood was hammered apart with an axe and subsequently a large number of mice were set free in mousetrap-filled areas on the floor. This Destruction Performance very much summarized the political conditions of the time and the senseless destruction of human life and landscapes engendered by the Vietnam war. A Getty Scholar and Djerassi Foundation Artist-in-Residence (1989), Flick is the recipient of numerous awards, including a Guggenheim Fellowship; he is a two-time recipient of the National Endowment for the Arts Fellowship and was awarded a COLA Grant by the Cultural Affairs Department of the City of Los Angeles in 1999. Robbert Flick's work is in the permanent collections of many important institutions, including The Los Angeles County Museum of Art; The Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; National Museum of American Art; The Chicago Art Institute; The High Museum of Art, Atlanta; and Bibliothèque National, Paris." NOTE: A SPECIAL EDITION (WITH ONE PRINT) IS ALSO AVAILABLE. Signed by Author.
Publicado por Paso Robles, Nazraeli Press,, Paso Robles, 2015
ISBN 10: 1590054369ISBN 13: 9781590054369
Librería: Studio Bibliografico Marini, ROMA, RM, Italia
Libro
hardcover. Condición: Ottimo (Fine). NZ Library Set 2. With 29 duotone plates Limited edition of 350 numbered and signed copies. Elegant volume bound in full silk with a photograph applied to the front cover and the Artist's signature inserted into an eyelet to the back cover. Illustrated dust jacket and slip-case with a photo / Elegante volume rilegato in piena seta con una fotografia applicata al piatto anteriore e la firma dell'Artista inserita in un occhiello al piatto posteriore. Sovracoperta illustrata e custodia in seta con foto applicata. N. 252/350. Cm 38,5 x 30,5. pp. 64. . Ottimo (Fine). . Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). . Robbert Flick, nato in Olanda nel 1939, è un artista della California meridionale che usa la fotografia come mezzo artistico principale. Questa splendida nuova monografia presenta un importante corpo di lavori del primo periodo che informerà tutte le sue successive attività artistiche.Robbert Flick, born in Holland in 1939, is a Southern California artist who uses photography as his primary medium. This gorgeous new monograph presents an important, early body of work that would inform Flick's approach to all of his subsequent artistic activities. Prima edizione di 350 esemplari numerati e firmati dall'Autore (First edition of 350 numbered and signed copies). Book.
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Nuevo desde EUR 261,01
Usado desde EUR 300,00
Encuentre también Tapa dura Original o primera edición Ejemplar firmado
Publicado por Nazraeli Press, Paso Robles, California, 2016
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. PRICING & EDITION NUMBER: The price of this set of six titles reflects a 40% discount compared to purchasing titles individually ($150 per title compared to $250 per title). DISCOUNT ON SET 2 SPECIAL EDITIONS: Customers who purchase this set of six titles also qualify for a $150 discount off the price of a special limited edition from Set 2 (with print) of one of the six titles from the set (you will receive a second copy of the slipcased book with the special limited edition). SHIPPING NOTE: due to size and weight (e.g., multi-volume sets), additional shipping fees apply (calculated at checkout). First edition, first printing. Limited edition of 350 copies. Each of the six volumes is numbered on the colophon page and signed by the artist on a label tipped in to the back cover. Each volume in the set shares the following characteristics: Hardcover. Silk cloth-covered boards; with photographically illustrated dust jacket and silk cloth-covered slipcase. 15 x 12 inches. New in publisher's packaging. From the publisher: "We are excited to announce the NZ Library, a new series of limited edition, highly collectible artists' books. Printed on Japanese art paper using our exclusive 'Daido black' inks, all books in the NZ Library have certain aspects in common: each title is produced using the highest material and production values; each is limited to 350 numbered and signed copies; each is bound in silk cloth and individually slipcased. Each book in the series is uniform in height, with a slipcased format of 15 x 12 inches. The NZ Library will be built six titles at a time, with groupings curated to balance and play off of past, present and future titles in the series. While copies will be available to purchase individually, a generous discount is extended for orders of all six titles in any given set." VOLUME ONE: Robbert Flick: LA Diary. ISBN 978-1-59005-436-9. 64 pp., with 29 duotone plates. From the publisher: " Robbert Flick, born in Holland in 1939, is a Southern California artist who uses photography as his primary medium. This gorgeous new monograph presents an important, early body of work that would inform Flick's approach to all of his subsequent artistic activities: 'The late 1960s was an open-ended time with very few boundaries. I was interested in rendering my photographic experience of Los Angeles, and wanted to emphasize the process of that experience. Rather than framing a moment, it became important to acknowledge it. This meant that the act of photographing became a gesture. I was also quite poor and had a limited amount of film. I kept some several dozen self-rolled films in a shoebox; whenever I went out I would reach in for four or five of them, and return them back into the box when exposed, leaving a snippet of leader so the film could be reused. I would have absolutely no idea what was on which film I put in my camera. At the time I would think of film as an endless continuum, and there was a wish to acknowledge that aspect visually.the idea of multiple exposures was linked to ideas about simultaneity, the use of the "I Ching" and "there is no such thing as accident." I photographed in this manner for a period of three years.' One of the images on the cover of the book captures a moment from an Ortiz destruction event: where a piano filled with blood was hammered apart with an axe and subsequently a large number of mice were set free in mousetrap-filled areas on the floor. This Destruction Performance very much summarized the political conditions of the time and the senseless destruction of human life and landscapes engendered by the Vietnam war. A Getty Scholar and Djerassi Foundation Artist-in-Residence (1989), Flick is the recipient of numerous awards, including a Guggenheim Fellowship; he is a two-time recipient of the National Endowment for the Arts Fellowship and was awarded a COLA Grant by the Cultural Affairs Department of the City of Los Angeles in 1999. Robbert Flick's work is in the permanent coll.